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All images © by Roberto Piperno, owner of the domain. Write to romapip@quipo.it. Text edited by Rosamie Moore.
Page added in March 2015.

- Venetian and Papal Ravenna: Other Monuments
(Longobard weapons at Museo Archeologico di Cividale)

You may wish to read an introduction to this section or a page on Medieval Ravenna first.

Piazza del Popolo (or Piazza Maggiore)

In 1441 the Venetians became masters of Ravenna through an act known as dedizione by which the members of Consiglio Generale acknowledged the sovereignty of
Venice and in return were granted some rights in the government of the town. Consiglio Generale was made up of 40/60 members who belonged to the richest families. Every four months it elected three members of Consiglio dei Savi, the body in charge of assisting the Venetian Rettore (governor) in the actual administration of the town. Three other members of Consiglio dei Savi were chosen by the Rettore himself.
This complex government system required proper facilities to fulfil its duties and Piazza del Popolo retains the palace built by the Venetians (left) and that added by the Popes in the late XVIIth century (right), but modified in 1857 by the addition of medieval battlements.

(left) Palazzetto Veneziano; (centre) one of its ancient columns; (right) monograms of Theodoric, King of the Ostrogoths, on some of the columns; the image used as background for this page shows a detail of the relief decorating the arches

Where the Venetians found the ancient columns and capitals which they employed in the construction of the loggia is not known with certainty. According to Antonio Zirardini who in 1762 wrote the first treatise on the ancient buildings of Ravenna they came from a basilica/tribunal built by King Theodoric in the Forum of the town.

(left) Venetian column supporting a statue of St. Apollinaris; (centre) statue of St. Vitalis by Clemente Molli (1640); (right) decorated base of one of the columns

Similar to what they had done at St. Mark's Square, in 1483 the Venetians erected two columns in Piazza del Popolo. They supported the statues of St. Apollinaris and of a Winged Lion, symbol of the Republic of Venice. The statues and the fine reliefs which decorate the bases of the columns were made by Pietro Lombardo, a Venetian sculptor and architect. The statue of the Winged Lion was eventually replaced by that portraying St. Vitalis.

(left) 1483 relief by Pietro Lombardo portraying Dante; (right) Tomba di Dante (1780)

Dante died at Ravenna in 1321 and his body was placed in a sarcophagus near S. Francesco. In 1483 Bernardo Bembo, Venetian Rettore at Ravenna, commissioned Pietro Lombardo a new sepulchral urn with a relief portraying the poet. In 1780 a chapel was built by Cardinal Luigi Valenti Gonzaga to properly house the grave. The small building did not impress Henry James who wrote in Italian Hours (1783): The grave of Dante, it must be said, is anything but Dantesque. In 1878 Oscar Wilde praised the relief by Lombardo:
His gilded shrine lies open to the air;
And cunning sculptor's hands have carven there
The calm white brow, as calm as earliest morn,
The eyes that flashed with passionate love and scorn,
The lips that sang of Heaven and of Hell,
The almond-face which Giotto drew so well,
The weary face of Dante.
Ravenna - Newdigate Prize poem recited in the Sheldonian Theatre Oxford - June 26th, 1878

Palazzo Rasponi dalle Teste

There was no architecture to speak of; and though there are great many domiciles with aristocratic names they stand cracking and baking in the sun in no very comfortable fashion. H. James.
Among the great many domiciles with aristocratic names of Ravenna, those belonging to the Rasponi deserve some attention. They were already among the most important families of the town before the Venetians imposed their rule. They managed to retain prestige and wealth through the centuries by adjusting to the many political changes which occurred at Ravenna.

Palazzo Rasponi dalle Teste (heads): details of its decoration

The most imposing Rasponi palace was built towards the end of the XVIIth century by Count Giuseppe Rasponi and his brother Giovanni, Bishop of Forlė, a town south of Ravenna. The palace was completed in 1734 and its architect is unknown. Because of the reliefs showing heads of blindfolded moors it is known as Palazzo Rasponi dalle Teste. A blindfolded moor is a heraldic symbol indicating that a member of the family was involved in a crusade or an expedition against Muslim corsairs.

Giardino delle Erbe Dimenticate (Garden of the Forgotten Herbs), former garden of Palazzo Rasponi dalle Teste with in the lower left corner a flower of Amaranthus Caudatus

Today Palazzo Rasponi dalle Teste stands in a large modern square, but in the past it was adjoined by a garden of which only a minor section still exists. It retains some of its XVIIIth century decoration and in recent years it was turned into a small botanical garden.

(left) Palazzo Rasponi Murat; (right) coat of arms of the Rasponi

In 1825 Count Giulio Rasponi married Luisa Giulia Murat, daughter of Joachim Murat, King of Naples in 1808-15, and Caroline Bonaparte, sister of Emperor Napoleon. He added the surname of his wife to his own and the name passed on to the XVth century palace where the couple lived. The Rasponi did not suffer from the end of the Papal State. Count Gioacchino Rasponi Murat was twice Mayor of Ravenna and he was elected member of the Italian Parliament five times.

Details of Giardino Pensile Rasponi

Byron's house is not Byronic, being a homely, shabby, two-storied dwelling, directly on the street, with as little as possible of isolation and mystery. In Byron's time it was an inn, and it is rather a curious reflection that "Cain" and the "Vision of Judgment" should have been written at an hotel. H. James
In 1819-20 Lord Byron lived in a former palace of the Rasponi near S. Francesco which had been turned into an inn and was eventually pulled down. It was situated opposite another Rasponi property having a fancy XIXth century Roman/medieval appearance. It included a pensive garden and an underground chapel which was decorated with fragments of ancient mosaics.

Palazzo Rasponi del Sale

The genealogical tree of the Rasponi shows more than one marriage between the Rasponi and the del Sale, another noble family of Ravenna, but it was only in the XVIIIth century that the del Sale surname was added to his own by a member of the Rasponi family. This branch lived in a large XVIIIth century palace in Piazza del Popolo. Countess Augusta Rasponi del Sale (1864-1942) supported many charities and wrote and illustrated books for children under the pen name of Gugu. One of them was reviewed by the Sydney Morning Herald (Saturday 16 December 1899) as follows: MOTHER DUCK'S CHILDREN - This charming book for children - published by Mr. William Heinemann in "London 1900" - will be warmly welcomed. It combines agreeable nonsense verses with excellent illustrations. The authorship is ascribed to one "Gugu" who may congratulate herself - or himself - on the production of a book which will be much appreciated in many a nursery. You may wish to see a page of the book - it opens in another window.

Move to:
Roman Ravenna
Ostrogothic Ravenna
Byzantine Ravenna: S. Apollinare in Classe
Byzantine Ravenna: S. Vitale
Byzantine Ravenna: Other Monuments
Medieval Ravenna
Venetian and Papal Ravenna: Churches
Venetian and Papal Ravenna: Walls and Gates
or to:
Introductory page
Roman Aquileia - Main Monuments
Roman Aquileia - Tombs and Mosaics
Early Christian Aquileia
Medieval Aquileia
Chioggia: Living on the Lagoon
Chioggia: Churches
Chioggia: Other Monuments
Roman and Medieval Cividale del Friuli
Venetian Cividale del Friuli
Roman and Byzantine Parenzo
Medieval and Venetian Parenzo
Roman Pola (Pula)
Medieval and Venetian Pola (Pula): Churches
Medieval and Venetian Pola (Pula): Other Monuments
Rovigno (Rovinj)
Roman and Medieval Trieste
Modern Trieste

SEE THESE OTHER EXHIBITIONS (for a full list see my detailed index).