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All images © by Roberto Piperno, owner of the domain. Write to romapip@quipo.it. Text edited by Rosamie Moore.
Page revised in August 2015.

Byzantine heritage - Other churches

You may wish to see an introductory page to this section first.

The Byzantine emperor was the head of the Catholic Church i.e. the universal church as identified in the Nicene Creed during the 325 Council of Nicaea.
He appointed the bishops, including those highest in rank, such as the Patriarchs of Rome, Alexandria, Antioch and Constantinople.
For this reason many churches in Constantinople were built at the initiative of the emperors.

Imrahor Camii (Monastery of St. John Baptist - Vth century)

A large apse and two high walls is all that remains of Studion, one of the greatest Byzantine institutions. It was a very large monastery which was founded in 462 by Studius, a Roman patrician. In the course of time it became the University of Constantinople although it was mainly limited to theological matters. The life of the monks had to comply with strict rules, including that which forbade women from entering the premises of Studion. These rules were adopted in many other Orthodox monasteries and are still complied with in the monastic Republic of Mount Athos in Greece.
The Studion was damaged during the 1204 Latin conquest of Constantinople and again in 1453 during the Ottoman one. In 1462 Sultan Fatih Mehmet evicted the remaining monks and he turned the church into a mosque. Two fires, an earthquake, a long abandonment and looting have destroyed the whole monastery and to a great extent the church; its remaining walls show that they were built according to the traditional Byzantine construction technique based on alternate layers of brick and stone.
It is situated on the Seventh Hill near
Yedikule, a small Ottoman fortress.

(left) Ruin of St. Polyeuktos'; (right) a Byzantine capital

Polyeuktos was a Roman army officer who was beheaded in the IIIrd century because of his Christian faith; the events surrounding his martyrdom provided the basis for a drama by Pierre Corneille and later on for operas by Charles Gounod and Gaetano Donizetti. In 524-527 Princess Anicia Juliana enlarged and embellished an existing church dedicated to St. Polyeuktos. She was the daughter of Anicius Olibrius, one of the last western Roman emperors and a relative of the Theodosian emperors who ruled the Eastern Roman Empire for a long period. The church was most likely already abandoned in 1204 when Constantinople was sacked by the Crusaders; the Venetians took from this church a
porphyry relief thought to portray the Tetrarchs. The remains of this church, which was pretty large, were found during the construction of an overpass. A fine relief celebrating Anicia Juliana can be seen at the Archaeological Museum of Istanbul.

Byzantine buildings in Gulhane Park

Gulhane Park was the outer garden of Topkapi Sarayi before being opened to the public. The remains of Byzantine buildings have been found at its northern end near the Column of the Goths. They are believed to belong to the Orphanage of St. Paul. The institution was founded by Emperor Justin II (565-578) and served not only orphans, but also elderly people, the blind, and war veterans.

Gul Camii seen from
Suleymaniye with the Golden Horn in the background

After the death of Emperor Justinian several events weakened the Byzantine Empire; in Italy the Longobards conquered most of the peninsula, in Asia a very long war with the Persians paved the way for the Arab invasion of Syria, Palestine, Egypt and parts of Anatolia. In 672 the Arabs managed to lay siege to Constantinople (it lasted several years). During the VIIIth century the issue of iconoclasm tore apart the unity of the remaining part of the empire; this may explain why Istanbul does not retain evidence of churches or other monuments built during those difficult years.
The conditions of the empire improved under the reign of Emperor Basil I (867-86): according to some art historians, but not to all of them, Gul Camii was built during the reign of this emperor. It was a church dedicated to St. Theodosia, a martyr of the VIIIth century who was killed for having tried to save a sacred image.

(left) Gul Camii (Mosque of the Roses) or St. Theodosia's; (right) a detail of its brickwork

The church was turned into a mosque: its name is generally attributed to the fact that when the Ottomans conquered Constantinople, they found the church full of garlands of roses, which had been placed there for the saint's feast. The present building shows several modifications made after it became a mosque, but the brickwork of its three apses is very typical of Byzantine architecture.

Atik Mustafa Pacha Camii

Another small church a short distance from St. Theodosia's shows a similar design; its original dedication has not been identified: it was turned into a mosque by Koca Mustafa Pacha, a grand vizier of Sultan Beyazit II; because another mosque is named after him, in this one he is called Atik (ancient) instead of Koca (illustrious, but also old).

Fenari Isa Camii (Monastery of Constantine Lips - Xth century)

Constantine Lips are not the lips of Constantine, but the name of the officer responsible for the security of the imperial house during the reign of Emperor Leo VI (886-912). In 908 he founded a nunnery with attached a small hospital and a church. A second church was added towards the end of the XIIIth century south of the existing one. The Ottomans turned this church into a mosque and the nunnery into a dervish lodge.
The complex was burnt down by three fires and was abandoned. It was restored in the 1980s.

Fenari Isa Camii: apses of the South (left) and the North (right) churches

The apses were spared by the fire and show continuity in the overall design; a more elaborate decoration was used for the XIIIth century apse with bricks arranged to form a variety of decorative patterns.

Bodrum Camii (Church of the Myrelaion monastery - Xth century)

Laleli is a neighbourhood of Istanbul with many shops selling clothing and leather goods; it is beloved by Russian tourists and it is full of Turkish vendors trying to speak Russian. In this very marketing oriented environment big apartment blocks surround a church which is a very interesting example of Byzantine architecture.
It was built in ca. 922 by Emperor Romanos I Lekapenos (919-44) as a family chapel. He was a co-emperor: he had persuaded his young son-in-law Emperor Constantine VII Porphyrogenitus (912-59) to appoint him to such position and then also his two sons were appointed co-emperors. Sharing the same roof is often difficult and probably Constantine VII continued to behave in the imperial palace as if he were the only legitimate landlord. Romanos decided to build a separate palace for his family; he covered with a ceiling supported by columns an abandoned ancient rotunda; above it he built a palace, a monastery and the church, the only part of the complex which survived fires, earthquakes and pillaging.

Archaeological Museum of Istanbul - Excavations near Bodrum Camii: (left) IInd/IIIrd century AD bust of a woman which perhaps embellished Romanos' palace; (right) Vth century capital from the rotunda

The church marks a move away from the basilica-like design of the VIth century churches and it is characterized by the introduction of a cross-in-square plan and by many curved lines. It is regarded as the prototype for most of the Orthodox churches. The definition "cross-in-square" means that a Greek cross is inscribed in a square building; the overall shape of the building is rectangular owing to the additions of a narthex on one side and of three small apses on the other.
Romanos thought he had ensured the future of his family (he had also appointed a third son Patriarch of Constantinople), but when he became very old his two co-emperor sons tried to exclude Constantine VII from the succession; the people of Constantinople revolted and all the Lekapenos ended their days in a monastery.

Eski Imaret Camii (St. Saviour Pantepoptes 1085-90)

The cross-in-square design was adopted also in this church which was attached to a nunnery built by Anna Dalassena, mother of Emperor Alexius I Comnenos (1081-1118), to whom she was the closest advisor; her son gave her the title of Augusta which was reserved to the emperors' wives.

Constantine Cavafy dedicated a short poem to her (translation by Edmund Keeley and Philip Sherrard):
In the royal decree that Alexios Komninos
put out specially to honour his mother -
the very intelligent Lady Anna Dalassini,
noteworthy in both her works and her manners -
much is said in praise of her.
Here I offer one phrase only,
a phrase that is beautiful, sublime:
She never uttered those cold words 'mine' or 'yours'.

The church is almost entirely surrounded by modern buildings. It was turned into a mosque by the Ottomans and the nunnery was used as an imaret (soup kitchen) for those who worked at the construction of nearby
Fatih Sultan Mehmet Camii, the mosque built by Sultan Mehmet II, the conqueror (fatih) of Constantinople. For this reason it was called the mosque of the old (eski) soup kitchen.
It was restored in 1970 and the dome was covered again with bricks (all the other domes of Istanbul are covered with lead). As usual in Byzantine buildings, the masonry is very elaborate; in particular the use of recessed bricks to add depth to curved lines.

Molla Zeyrek Camii (Christ Pantokrator 1120-1136) with Fatih Sultan Mehmet Camii in the background

A second nunnery was built by Empress Eirene (born Princess Piroska of Hungary), a few years later in the same neighbourhood. She was the wife of Emperor John II Comnenus (1118-43), grandson of Anna Dalassena. After her death her husband added a slightly smaller church to the first one and linked the two with a chapel. The complex became the mausoleum of the imperial couple.

Molla Zeyrek Camii: apses

The complex, which in its totality is the second largest Byzantine building after Hagia Sophia, was turned into a mosque, but later on it was abandoned. It is now (September 2008) in the process of being slowly restored. The apses are the finest part of the building; that of the larger church has seven sides.

Kalenderhane Camii (St. Mary Kyriotissa): (left) dome; (centre) interior with the mihrab (white niche) placed at an angle to indicate the direction of Mecca; (right) part of a fresco

At the eastern end of the
Aqueduct of Valens the foundations of a bath were used to build a church; in the course of time modifications and additions were made until towards the end of the XIIth century the current building replaced the old ones.

Archaeological Museum of Istanbul (from Kalenderhane Camii): (left) late VIth century mosaic depicting the Presentation of Jesus at the Temple; (right) XIIIth century fresco depicting St. Francis preaching to the birds

After the Latin conquest of Constantinople in 1204 the church and the attached monastery were given to the Franciscans: this was discovered during restorations in the 1980s when a cycle of frescoes portraying the life of the saint was found in a small chapel; they were painted some time after Francis' death (1226) and before the fall of the Latin Empire (1261).
During the Ottoman rule the church and the monastery were used to accommodate the kalender, wandering dervishes, followers of the teachings of Mevlana Jalal-ad-Din.

The image used as background for this page shows a detail of Bodrum Camii.

Introduction to this section
Roman Memories
Hagia Sophia
Hagia Irene and Little Hagia Sophia
Roman/Byzantine exhibits at the Archaeological Museum
Great Palace Mosaic Museum
St. Saviour in Chora
Byzantine Heritage (between 1204 and 1453)
First Ottoman Buildings
The Golden Century: I - from Sultan Selim to Sinan's Early Works
The Golden Century: II - The Age of Suleyman
The Golden Century: III - Suleymaniye Kulliye
The Golden Century: IV - Sinan's Last Works
The Heirs of Sinan
Towards the Tulip Era
Baroque Istanbul
The End of the Ottoman Empire
Topkapi Sarayi
Museums near Topkapi Sarayi
The Princes' Islands
Map of Istanbul

Other pages dealing with Constantinople/Istanbul:
The Walls of Nova Roma

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