Home

Visit Rome following 8 XVIIIth century itineraries XVIIIth century Rome in the 10 Books of Giuseppe Vasi - Le Magnificenze di Roma Antica e Moderna The Grand View of Rome by G. Vasi The Environs of Rome: Frascati, Tivoli, Albano and other small towns near Rome A 1781 map of Rome by G. Vasi An 1852 map of Rome by P. Letarouilly Rome seen by a 1905 armchair traveller in the paintings by Alberto Pisa The 14 historical districts of Rome An abridged history of Rome How to spend a peaceful day in Rome Baroque sculptors and their works The coats of arms of the popes in the monuments of Rome Pages on a specific pope Pages complementing the itineraries and the views by Giuseppe Vasi Walks in the Roman countryside and in other towns of Latium following Ferdinand Gregorovius A Directory of links to the Churches of Rome A Directory of links to the Palaces and Villas of Rome A Directory of links to the Other Monuments of Rome A Directory of Baroque Architects with links to their works A Directory of links to Monuments of Ancient Rome A Directory of links to Monuments of Medieval Rome A Directory of links to Monuments of Renaissance A Directory of links to Monuments of the Late Renaissance A list of the most noteworthy Roman Families Directories of fountains, obelisks, museums, etc. Books and guides used for developing this web site An illustrated Glossary of Art Terms Venice and the Levant Roman recollections in Florence A list of Italian towns shown in this web site Venetian Fortresses in Greece Vienna seen by an Italian XVIIIth century traveller A list of foreign towns shown in this web site
What's New!

Detailed Sitemap

All images © by Roberto Piperno, owner of the domain. Write to romapip@quipo.it. Text edited by Rosamie Moore.
Page added in May 2008.


They Went to Theatres - Myra
(Theatrical masks at Myra)


Myra was located in a fertile alluvial plain near the mouth of the River Demre; today the modern town of Demre (or Kale) which is located just a couple of miles south of ancient Myra, is very prosperous for its many greenhouses where the farmers grow cherry tomatoes.

Tombs and masks
Rock-cut tombs near the theatre

Myra has probably the most impressive rock-cut tombs of Lycia, although they are not as popular as those of Kaunos. They are grouped near the theatre and just below the acropolis.

Other tombs
Rock-cut tombs below the acropolis

Unlike the tombs of Kaunos and Telmessos, those of Myra do not resemble a small Greek temple, but in a large number of cases they have a square or rectangular shape which is divided into four or six partitions. The lintels are decorated with rows of rolls, a reminder of the logs used by the Lycians for building their homes.

Relief
Relief on a tomb near the theatre

One of the tombs has a very finely carved relief portraying scenes of the life of the dead, including the funerary banquet attended by the deceased himself (the person lying on a couch). The scene to the left shows the deceased father bidding farewell to his son. Between the two scenes there are two young warriors, a likely reference to the man's gallantry.

Theatre
Theatre

During Hellenistic times a theatre was built by cutting the rock at the foot of the acropolis in order to obtain rows of seats.

Theatre
Theatre: (left) Access to the upper rows built after the 141 AD earthquake; (right) view of the auditorium and of the box with seats reserved to the town authorities

A tremendous earthquake struck Lycia in 141 AD, but the region soon recovered: the theatre was rebuilt by making use of large vaulted structures which ensured a greater resistance to seismic activity.

The Theatre
Theatre: the scene and a detail of the decoration

The new theatre and in particular its stage had a very elaborate decoration, mainly based on theatrical masks; the size of the theatre and its decoration testify to Myra's prosperity.

St. Nicholas
(left) St. Nicholas as Santa Claus; (centre and right) details of the church dedicated to the saint

In addition to its vast necropolis and its imposing theatre, Myra had no doubt many temples; of these however no evidence is left since Nicholas, Bishop of Myra in the early IVth century destroyed them all (although at that time the law permitted the coexistence of different beliefs). The bishop was to become one of the most popular saints.

St. Nicholas
St. Nicholas': (left) detail of a capital; (right) window of the apse

A church was built on the site of the saint's tomb, but the current building is the result of many additions and modifications and in particular of an improper restoration paid by Czar Alexander II in the XIXth century. Myra, as did most of the Lycian towns, declined because of pestilences and Arab raids.
In 1087 seamen from Bari stole the remains of the saint and brought them to their town where they are kept in a basilica dedicated to him (the
Venetians had done the same in Alexandria with the body of St. Mark).
Turkish authorities claim that the seamen took another body and that the true relics are still in St. Nicholas' inside a sarcophagus which is shown to the mainly Russian pilgrims who visit the site.

Roman tomb
Roman family tomb

In addition to rock-cut tombs Myra retains a very different funerary monument, which most likely was used to place there the sarcophagi of an important family. It is now surrounded by marshland, but archaeologists have identified a high podium beneath the visible structure.

Roman tomb
Roman tomb: view of the interior

The tomb was located along the road linking Myra with Andriake, its harbour at the mouth of the river; today it is close to the road linking Demre with Kas.

Andriake

The granary
Hadrian's granary

The destiny of Andriake has been very similar to that of
Patara and Kaunos. The ancient Romans were able to dredge river beds to prevent their obstruction; the stopping of this practice led to the silting of the harbour; its site is today a marsh which according to the season varies in size.

Inscriptions
Hadrian's granary: (upper left corner) Hadrian and his wife Sabina; (upper right corner) the emperor's name: HADRIAN(I); (lower left corner) relief portraying gods and animals; (lower right corner): the purpose of the building: HORREA (warehouse)

The harbour of Andriake was enlarged and provided with new facilities by Emperor Trajan in order to use it as a logistic base for his military expeditions at the eastern border of the Empire. Emperor Hadrian, who was less keen on war matters, built a very large granary, which apparently was not significantly damaged by the 141 AD earthquake. A similar granary was built at the same time at Patara with the objective of increasing the reliability of wheat supplies to Rome. In a relief the emperor is portrayed next to his wife Vibia Sabina; it is a rare opportunity to see the royal couple: their marriage was an unhappy one and they had no children. A very long Latin inscription decorates the front of the granary.

Details
Hadrian's granary: (left) view of the front; (right) one of the eight sections of the granary

Introductory page
Priene
Miletus
Didyma
Iasos
Euromos
Milas
Kaunos
Telmessos
Tlos
Xanthos
Letoon
Patara
Antiphellos
Simena
Termessos
Attalia (Antalya)
Perge
Aspendos
Side



SEE THESE OTHER EXHIBITIONS (for a full list see my detailed index).

AntiochiaCoast of the PiratesCaterinas Bequest