![]() ![]() What's New! Detailed Sitemap All images © by Roberto Piperno, owner of the domain. Write to romapip@quipo.it. Text edited by Rosamie Moore. | Porta Cavalleggeri (Book 1) (Map D2) (Day 8) (Rione Borgo)
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The gate is named after the cavalry barracks you see on the left. Behind the walls the Palace of SS. Offizio, or Inquisition. The view is taken from the green dot in the small 1748 map here below. In the description below the plate Vasi made reference to: 1) Basilica Vaticana; 2) Palazzo Apostolico; 3) Palazzo Sant'Onofrio; 4) Quartiere dei Cavalleggeri (Cavalry Barracks). 1) and 2) are shown in other pages. The small map shows also: 5) Porta Cavalleggeri; 6) SS. Michele e Magno.
The need to accommodate large traffic flows towards St. Peter's square led to a large opening in the walls and to the repositioning of the gate to the left. A large new building for the SS. Offizio was erected in the 1930s which does not allow any longer the view of St Peter's façade. The apse of tiny Chiesa di S. Salvatore in Torrione (torrione=large tower), shown by Vasi inside the gate, is now in full view next to Palazzo del Sant'Uffizio. The Coats of Arms
Pope Alexander VI strengthened the defences of the Vatican, especially
in Castel S. Angelo. Most of his coats of arms were destroyed
at his death, but those on Porta Cavalleggeri were spared.
Also the little fountain on the right of the old gate has
been repositioned. The coat of arms is of Pope Pius IV.
The Palace was built by Pope Pius V in 1571 to house Sant'Uffizio (Holy Office), commonly
known as the Inquisition, responsible for investigating charges of heresy and other offences against
religion. The building was enlarged in the 1930s by Pius XI.
The church was founded in the VIIIth century by a group of Frisians. It was modified several times, the
last modification occurred in 1749 under the pontificate of Pope Benedictus XIV, whose coat of arms can be seen inside the church.
The access to the church from the street is through a 33 steps stair, which because of the number of the steps is considered sacred (Scala Santa).
The church is the national church of Friesland (today of all the Netherlands) (click here for a list of national churches in Rome). It contains an interesting funerary inscription
written both in Latin and Arabic in honour of a Syrian bishop.
The painter Anton Raphael Mengs (1728-79) is buried in the church. During his lifetime he was regarded as the heir of Raphael. With the sculptor Antonio Canova and the art historian Johann Joachim Winckelmann he is considered the father of the Neoclassic style. Excerpts from Giuseppe Vasi 1761 Itinerary related to this page:
Next plate in Book 1: Porta Fabrica Next step in Day 8 itinerary: Chiesa di S. Maria delle Fornaci |