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All images © by Roberto Piperno, owner of the domain. Write to romapip@quipo.it. Text edited by Rosamie Moore.
Page added in March 2015.

- Palmanova
(Longobard weapons at Museo Archeologico di Cividale)

You may wish to read an introduction to this section first.

Upper part of the façade of the Duomo (the main church) with statues of St. Mark and St. Justina of Padua at the sides of that of the Saviour

The first stone of the city-fortress of Palmanova was laid on October 7, 1593, the feast of St. Justina of Padua and twenty-second anniversary of the Battle of Lepanto, in which the fleet of a Christian coalition defeated the Ottoman one. The inscription under the statue of St. Justina says Victoriae auspici (supporter of victory). The decision by the Venetian Senate to build Palmanova was therefore justified as an anti-Ottoman defensive measure.

1794 Austrian map showing in white the territories of the Republic of Venice and in blue/pink those belonging to Austria. The dots indicate Palma(nova), Cividale, Aquileia, Grado and Trieste; (inset) Italy in 1796

The map shows that the fortress of Palmanova was actually meant to strengthen the defence of the territories of the Republic bordering on the Archduchy of Austria. The boundary line was very indented, with a number of small Austrian fiefdoms inside Venetian territory (they had belonged to the Patriarchate of Aquileia).
When Palmanova was founded relations with the Ottoman Empire were relatively good, whereas those with the Archduchy of Austria were often tense. They deteriorated to such a point that in 1615-17 an undeclared war was fought for the possession of Gradisca, a fortress near Palmanova.

Walls and moat at Porta Aquileia; (inset) aerial view of Palmanova showing its nine-pointed star shape

The design of Palmanova was entrusted with Giulio Savorgnan, a military commander and architect who had fortified Nicosia on the island of Cyprus in the late 1560s with walls having eleven bastions. He used the same approach at Palmanova but he reduced the number of bastions to nine, while maintaining the same number of gates (three) as at Nicosia.


The walls of Palmanova had to be very wide in order to neutralize attempts to blow them up, because the enemy would dig tunnels to place and ignite charges of gunpowder at their base. They were made up of two curtain walls which were filled with earth. Today they provide the inhabitants of Palmanova with a large public footpath which entirely surrounds the town.

Arrowhead shape of the bastions; (inset) 1606 inscription celebrating the completion of a bastion; another image of a bastion and its moat can be seen in the introductory page

The need to fire on enemies from a side position led military architects to design bastions which projected from the walls as Francesco di Giorgio Martini did in 1475 at San Leo. Eventually Italian military architects came to the conclusion that an arrowhead shape was the most appropriate one and Palmanova had arrowhead bastions similar to those which the Venetians had already built at Candia and the Knights of St. John at Valletta (Malta).

(above) View of the moat and of the outer fortifications behind it; (below) "Lunette", outer bastion/gun battery

The protection granted by the walls was complemented by a wide moat and a number of ravelins, triangular external fortifications which made up a sort of second enclosure. In 1806-11 the French added nine lunettes, advanced bastions having a half-moon shape.

Porta Aquileia (or da Mar) (1598)

Venetian military architects usually placed gates in a side position which was protected by a bastion as they did in 1595 at Asso, a fortress in Greece. At Palmanova however Marcantonio Barbaro, the first Provveditore (governor), requested Savorgnan to design a grand entrance to the city-fortress. In addition he did not want obstacles to be placed behind the gate which therefore gave direct access to the centre of the town.

(left) Porta Udine and the aqueduct; (right) 1751 inscription celebrating a reconstruction of the stone bridge supporting the aqueduct

The other two gates were completed shortly after Porta Aquileia. Their design is very similar and it follows a pattern established by Micheli Sanmicheli at Forte S. Andrea in Venice. An aqueduct provided Palmanova with an ample supply of water which could be stored in large cisterns in case of siege.

Street leading from the main square to Porta Cividale

Straight streets linked the three gates to the main square. They were very wide according to the standards of the time and they were meant to provide those who arrived at Palmanova with a maravigliosa vista (beautiful view) of the town. Military requirements were neglected in order to design the "ideal city" many Renaissance architects and painters dreamed off.

Main square

The heart of Palmanova was a very large hexagonal square which was used as a Field of Mars where the troops exercised. It had a diameter of 100 Venetian paces (190 yards). On July 22, 1602 the standard of the Republic was flown on a very high flagpole placed above the fountain of the town at the centre of the square.

Inscriptions celebrating improvements made by "provveditori"

Venetian authorities expected Palmanova to become a large town with a sizeable population, but this did not happen and the trade fairs which were introduced in 1622 did not attract merchants. The only activities were related to the garrison. A 1706 census recorded a population of only 6,000 inhabitants. Palmanova did not have local noblemen and only a couple of convents. The inscriptions and coats of arms which decorate some buildings are all related to the military.

Statues of XVIIth century "provveditori"

In addition to the three streets leading to the gates, three other streets departed from the main square. At the beginning of each street statues celebrating a provveditore were erected. This practice was stopped in 1691 by the Venetian Senate. The incumbent provveditore did not remove the statues, but erased the coats of arms and inscriptions on their pedestals. Several attempts have been made to identify the provveditori portrayed in the statues, but only for a few of them the identification is certain, because faces and costumes correspond to known portraits of them. They show the changes in fashion which took place in Venice during the XVIIth century; wigs made their appearance in Venice in ca 1665, after their use was made fashionable by King Louis XIV of France.

Fountain/pedestal of the flagpole with an inscription saying "He who desires the return of the old slavery-based government will be executed under this tree"

At the beginning of 1797, during the War of the First Coalition (the European Monarchies against Revolutionary France), the Republic of Venice decided not to prevent the French and Austrian armies from entering its territories and fortresses. In March Napoleon Bonaparte and his troops entered Palmanova which was not defended by the Austrians who had occupied it. On May 1 Napoleon declared war on the Republic of Venice and on its symbol, the Winged Lion of St. Mark. Some 5,000 statues and reliefs were smashed by the French and their local supporters. The image used as background for this page shows a XIXth century copy of the Winged Lion on the Duomo of Palmanova. Derogatory inscriptions towards the supporters of the "Ancien Régime" (Old Order) were written on the pedestal of the flagpole which was replaced by a French Tree of Liberty.

Porta Udine and the mechanism for raising the drawbridge

Today Palmanova has slightly less inhabitants than it had in 1706. Apart from the replacement of the drawbridges with modern ones and the pulling down of ravelins opposite the gates, the fortifications of Palmanova retain the aspect they had in the XVIIth century.

Move to:
Introductory page
Roman Aquileia - Main Monuments
Roman Aquileia - Tombs and Mosaics
Early Christian Aquileia
Medieval Aquileia
Chioggia: Living on the Lagoon
Chioggia: Churches
Chioggia: Other Monuments
Roman and Medieval Cividale del Friuli
Venetian Cividale del Friuli
Roman and Byzantine Parenzo (Porec)
Medieval and Venetian Parenzo (Porec)
Roman Pola (Pula)
Medieval and Venetian Pola (Pula): Churches
Medieval and Venetian Pola (Pula): Other Monuments
Roman Ravenna
Ostrogothic Ravenna
Byzantine Ravenna: S. Apollinare in Classe
Byzantine Ravenna: S. Vitale
Byzantine Ravenna: Other Monuments
Medieval Ravenna
Venetian and Papal Ravenna: Churches
Venetian and Papal Ravenna: Walls and Gates
Venetian and Papal Ravenna: Other Monuments
Rovigno (Rovinj)
Roman and Medieval Trieste
Modern Trieste

SEE THESE OTHER EXHIBITIONS (for a full list see my detailed index).